步骤1
细织帆布三重满怀sandable丙烯酸石膏,第四层是哑光介质有色与黑色和黄赭丙烯酸象牙采用光滑的合成刷。份图纸转化的,上有深棕色的蜡笔搓背面然后追踪与硬的铅笔。图是固定与喷雾固定剂。 
步骤2
一个介质由2部分Gamsol和1份干燥亚麻籽油是应用于整个画布用力,带着一个大鬃毛刷,然后擦了棉绒布。值被屏蔽与# 1鬃毛刷使用烧棕土。油漆是变薄与介质由2部分Gamsol和1份干燥亚麻籽油。
剩下的画底色干燥过夜。
步骤3
灰色背景加上一个大型鬃毛榛子刷保持漆薄通过添加我的Gamsol /干燥亚麻仁油介质
步骤4
温暖和凉爽的深色添加和应用与# 1榛子鬃刷,继续和我的介质薄。
步骤5
地方色彩或middletone添加和减少与介质使用鬃毛刷。
步骤6
暖色和冷色被添加到这个地方色彩。
步骤7
更精致温暖的/凉爽的颜色添加到当地的颜色在脸上。一个薄应用中间色调也添加到衬衫。我从来没有想要掩盖底层色完全因为我希望光帆布显示通过。这有助于保持开放和呼吸的画没有运行在危险的感觉沉重和平通过一个不透明层。这是一个方面的间接法的绘画,我喜欢。这个阶段也可以被称为一个然后
步骤8
绘画是与介质通过擦洗油污用鬃毛刷,擦去。相同的背景色是加少介质。
步骤9
相同的地方色彩作为第一层干颜料是用更少的应用中。油漆是半透明和用涂和scumbling与榛子鬃毛刷。
第十步
同样的过程添加颜色脸是完成了的衬衫。
这里的肖像完成
原文如下：Step 1
Fine weave canvas triple primed with sandable acrylic gesso, fourth layer is matte medium tinted with acrylic Ivory Black and Raw Sienna applied with a smooth synthetic brush. Copy of drawing is transferred with dark brown soft pastel rubbed on the back then traced with a hard pencil. Drawing is fixed with spray fixative.
Step 2
A medium made up of 2 parts Gamsol and 1 part Drying Linseed Oil is applied to entire canvas by scrubbing in with a large bristle brush and then wiped away with a lint free cloth. Values are blocked in with a #1 bristle brush using Burnt Umber. Paint is thinned with medium made up of 2 parts Gamsol and 1 part Drying Linseed Oil.
The underpainting is left to dry overnight.
Step 3
Grey background is added with a large bristle filbert brush keeping the paint thin by adding my
Gamsol/Drying Linseed Oil medium
Step 4
Warm and cool darks are added and applied with a #1 filbert bristle brush and kept thin with my medium.
Step 5
Local color or middletone is added and thinned with medium using a bristle brush.
Step 6
Warm and cool colors are added to this local color.
Step 7
More refined warm/cool colors are added to the local color on the face. A thinly applied middle-tone is also added to the shirt. I never want to cover up the underpainting completely because I want the light canvas to show through. This helps the painting stay open and breath without running in the danger of feeling heavy and flat with an opaque layer. This is an aspect of the indirect method of painting that I like. This stage can also be called an Ébauche
Step 8
Painting was oiled out with medium by scrubbing on with a bristle brush and wiped away. The same background color was added with less medium.
Step 9
Same local color as the first layer of dry coloring was applied with less medium. Paint is semi transparent and applied by dabbing and scumbling with the filbert bristle brush.
Step 10
Same process of adding color to the face is done with the shirt.
Here the portrait finished
- See more at: https://www.justart-e.com/oil-portrait-tutorial-by-Alan-Dingman.html#sthash.EOrKBjws.dpuf
