我开始油漆“形式”到黑背心。我通常通过釉色对付黑人在平黑色丙烯酸漆给它一个珠宝基调。
当这是干我添加一个薄釉的象牙黑和使用原始黄土构建光。
在一般的光在封面上,我开始建造更多的形式。狭窄的范围的值是微妙的,没有黑暗在光的任何地方在一般的阴影区域。
光轻和温暖的(我添加黄色赭石苍白+钛白色到红色的夹克颜色)。
添加表格夹克一般阴影区域——窄范围的值与没有光价值在什么是发现在一般的光。
我开始构建形式在裙通过建立通用光如何满足一般的影子。它可以很快见面…。或非常缓慢。的定义,这是绘画形式的基础。
我工作整个背景为我构建形式的图。我喜欢的颜色添加触动我的前台到后台的。
添加细节到裙。我还没有添加黑成这幅画——我只是绘画与光和暗突然开始出现“暗”。
原文如下：
I’m starting to paint “form” into the black vest. I usually deal with black by glazing color over the flat black acrylic paint to give it a jewel tone.
When that is dry I add a thin glaze of ivory black and use raw sienna to build light.
Inside the general light on the jacket, I begin to build more form. The narrow range of values are subtle and no dark inside the light is as dark as any place in the general shadow area.
Light is lighter and warmer (I add yellow ochre pale + titanium white to the red jacket color).
Adding form to the jacket’s general shadow area – narrow range of values with nothing as light in value as what is found in the general light.
I’m beginning to build form in the skirt by establishing how the general light meets the general shadow. It can meet very quickly….or very slowly. The definition of this is the foundation of painting form.
I’m working the entire background as I build the form of the figure. I like to add touches of the colors from my foreground into the background.
Added details into the skirt. I’m still not adding dark into this painting – I’m just painting with light and the darks suddenly begin to appear “darker.”
