材料用于这幅画
我的调色板的颜色
- 丙烯酸黄色柠檬
- dioxazine紫色
- 钴蓝色
- 靛蓝
- 钴绿松石
- 生黄土
- Perlene红
- Thalo黄色绿色
- 鲜绿色的
- 深蓝色紫
- 生赭
- 暗绿色
- 范戴克布朗
- 暖白色
- 金属黄金
(一个外套玻璃介质)
(两层达玛树脂清漆)
我的刷子
- # 6亮
- # 4亮
- # 2亮
- # 0明亮
- # 2红貂平
- 小软拖把刷
10 X 30帆布或你所拥有的。
步骤1
盖帆布与柠檬黄丙烯酸涂料。你可以把你的孔雀的羽毛在画布上。你的线将不会显示。我不画线当我油漆。我这样做你所有能看到的形状如何开始一个孔雀羽毛。主要部分的羽毛形状像一个鸡蛋。
开始与我所说的眼睛。
工作到外部的羽毛。
油颜色的眼睛:Dioxazine钴蓝、靛、紫。
使混合这些颜色的眼睛。
刷在混合颜色的眼睛。
第一环的眼睛周围。钴绿松石,用一个尖锐的边缘轮廓分明的刷。去的方向羽毛生长,在眼短中风。现在混合和软化边缘,用干净干燥的软拖把。
第二圈:混生黄土和少量的Perlene红# 6亮刷。刷子应该总是有一个轮廓分明的边缘。软化边缘与软拖把刷。
第三环:Tholo黄绿、鲜绿色的混合与# 4或6亮什么曾经刷比较好你。总是使用短划在顶部的羽毛。我永远不能说这足够的“轮廓分明的边缘”。
下一个环:重复第二圈。
最后一环、混合深蓝色紫罗兰和生赭与# 2红貂平刷。
尽管所有这些轻轻拉行环的方向生长的羽毛。(顶部的羽毛)
使用你的拖把刷轻轻地走过去所有的戒指消除任何硬刷线。
羽毛鹅毛笔是一个混合的绿色、紫色、生赭,暖白色。
前你的羽毛是你的绿色混合。中间是你的紫色和生刚毛棕色的混合。底部的羽毛是暖白色。
混合颜色在一起的颜色满足。
当你所有的羽毛做和鹅毛笔完成,移动到外缘的羽毛。
现在有趣的事情开始了! !
混合暗绿色和范戴克布朗更多绿色边。使用# 6明亮。你应该有一个非常非常刷轮廓分明的边缘。
保持你的羽线非常接近。如果你有一个腕木,这是时间用它来稳定你的手。
这幅画的部分需要大量的时间和耐心。羽毛必须从上到下的羽毛。你可以填写你去。你将来回你的调色板多次刷新你的刷。你也必须明白羽毛会在背景和羽毛是前景。
当你的画是干你可能用浅色外套金属黄金在你的画。使用金属黄金只有在你的眼睛和羽毛戒指。这是可选的。
当你的画非常干,涂一层薄薄的玻璃介质在你的画。当介质干燥使用一达玛树脂清漆在你的画外套。六个月后把您的第二个外套的达玛树脂清漆在你的画。
当我画我所做的事情感到骄傲的孔雀与背景有点不同。我没有使用丙烯酸涂料。我使用一个混合凝胶、镉黄和钛白色。这是给你的那些不介意等待背景干。
原文如下：
Oil Painting Demonstration – Peacock Feathers
Materials Used for this Painting
My Palette of Colors
Acrylic Yellow Lemon
Dioxazine Purple
Cobalt Blue
Indigo
Cobalt Turquoise
Raw sienna
Perlene Red
Thalo Yellow Green
Viridian
Ultramarine Violet
Raw Umber
Sap Green
Van Dyke Brown
Warm White
Metallic Gold
(One Coat Glazing Medium)
(Two Coats damar Varnish)
My Brushes
# 6 Bright
# 4 Bright
# 2 Bright
# 0 Bright
# 2 red Sable flat
Small soft mop brush
10 X 30 Canvas or what ever you have.
STEP 1
Cover the canvas with lemon Yellow acrylic paint. You can draw your peacock feathers on the canvas. Your lines will not show. I do not draw in the lines when I paint. I did this so you all can see the shape of how to start a peacock feather. The main part of the feather is shaped like an egg.
Start with what I call the eye.
Work your way out to the outside of the feather.
Oil colors for the eye: Cobalt Blue, Indigo, Dioxazine purple.
Make a mix of these colors for the eye.
Brush in the mixed colors for the eye.
First ring around the eye. Cobalt Turquoise, using a sharp chiseled edge of the brush. Go in the direction that the feathers grow,around the eye with short strokes. Now blend and soften the edge, with a clean dry soft mop.
Second Ring: Mix Raw Sienna and a small amount of Perlene red # 6 Bright brush. The brush should always have a very chiseled edge. Soften edge with soft mop brush.
Third Ring: Mix Tholo Yellow Green and Viridian With # 4 or 6 Bright what ever brush works better for you. Always use short strokes at the top of the feathers. I can never say this enough “CHISELED EDGE”.
Next Ring: repeat second ring.
The last ring , mix Ultramarine Violet and Raw Umber with a # 2 Red Sable flat Brush.
Lightly pull lines though all the rings in the direction the feather grows. (to the top of the feather)
Used your mop brush very softly go over all the rings to smooth out any hard brush lines.
Feather Quills is a mix of your greens, purple, raw umber and warm white.
The top of your quill is your green mix. Middle quill is your purple and raw Umber mix. Bottom of the quill is warm white.
Blend the colors together were the colors meet.
When all your feathers are done and quills are done, move to the outer edge of the feathers.
Now the fun begins!!
Mix Sap green and Van Dyke Brown more to the green side. Use a # 6 Bright. Your brush should have a very very chiseled edge.
Keep your feather lines very close together. If you have a maulstick , this would be the time to use it to steady your hand.
This part of the painting takes a lot of time and patience. The feathers must be from the top to the bottom of the quill. You can fill in as you go. You will be going back and forth to your palette many times to reload your brush. You will also have to see what feathers are going to be in the background and what feathers are in the foreground.
When your painting is dry you may use a light coat of metallic gold on your painting. Use the Metallic gold only on your eye and feather rings. This is optional.
When your painting is dry, put a thin coat of glazing medium on your painting. When the medium is dry use one coat damar varnish on your painting. Six months later put your second coat of damar varnish on your painting.
When I painted Proud Peacock I did things a little different with the background. I did not use an acrylic paint. I used a mix of gel, cadmium yellow and titanium white. This is for you people who don’t mind waiting for a background to dry.
