国外画家教程：木兰花油画演示

　　我想向您展示如何油漆这白玉兰花,利用一个新的油画技术没有讨论其他网站。

我们按照我们的正常程序转移绘图画布,在利用跟踪防水墨水,然后与imprimatura塑身画布。

这是我们的参考照片:你的第一段……

　　这个美丽的木兰被发现的例子在摩托车旅行我和我表妹就在这些家伙了顶峰!生活在一个小镇,拥有数以百计的这些树木,不难找到一个是一流的。

它使一个伟大的旅行骑着凉爽的晨风,美妙的气味从盛开的荣华,并考虑在这个宏伟的树。

这是我们与它的绘画的画布上签署的。

　　和我们的棕土在绘画。这是一个小宽松,在那很少的细节都包含。刚刚掌握了所有作品的调性,并建立最黑暗的阴影区域。在这个如何油漆一个木兰示范,实现过,这是一个白色的画。如何让这绽放光芒?围绕它与黑暗!对比将欺骗眼睛。

　　现在在这接下来的部分,我们有很多的乐趣!我们建立了非常微妙的细微差别的白色阴影在花本身。所有的小褶皱,和变化的灯光到感光一半阴影。

我们还建立背景黑暗暗和中间灰色的叶子。

记住,没有细节或纹理的尝试。只是主要的褶皱,涟漪和皮影戏。

　　现在我们到达颜色层,完成层。树叶获得所有的工作!这张照片显示成品在画架上。

颜色层集中在树叶和花朵的中心。大多是已经完成了的花瓣。

　　几件事指出这里。在上面的箭头,这个特殊的隆起或褶皱的花瓣是强调与一点镉黄灯添加到白来模拟日光照射花瓣。这是夸张的以及其他的褶皱给花更多的兴趣。

下箭头指向一个夸张的叶悬伸花瓣。再次,这是一个小的兴趣点,让观众眼球旋转在开花。

　　(上图)在这个靠近我想要告诉你关于一个技术我试着为了达到这种效果!你看,我学习新东西如何油漆尽可能多的,有时它的一个意外发现,有时候一个完全新的理念和技术。

一旦灰色层是干,在颜色层应用程序,我使用这种技术。应用涂料的高亮区域的花瓣,我想模拟复杂的血管遍布鲜花。

这是一个抓技术。使用后退处理的油漆刷,我划掉在刀口上的花瓣。揭露了黑暗阴影的抓挠灰色层下面。这给了一个非常不同的线,有油漆建立了两边的圆凿马克。

当使用拖把混合刷的方向与阳光,它把油漆在光的方向,使一个非常可信的小静脉。

一些地区我带回来一个突出,或一个影子来深化错觉。

　　完成的工作是接受由客户端!这意味着,我必须出去吃另一个摩托车骑和获得更多的参考照片的在这干到小手榴弹我们用来想象他们当我还是个年轻人。


原文如下：

I want to show you how to oil paint this magnolia blossom, and utilize a new oil painting technique not discussed elsewhere in the site.

We follow our normal procedure of transferring the drawing onto the canvas, tracing over the drawing with a water proof ink, and then toning the canvas with the imprimatura.

Here's our reference photograph:Your first paragraph ...


This beautiful example of the magnolia was found during a motorcycle trip my cousin and I took just when these fellows were at their peak!  Living in a town that has hundreds of these trees, it's not difficult to find one that is superb.

It made for a great riding trip with the cool morning breeze, wonderful scents from the blossoms, and taking in the splendor of this magnificent tree.

Here's our toned canvas with it's drawing inked in.




And our Umber under painting.  This is a little loose, in that very few details are included.  Just getting a handle on the over all tonality of the piece, and establishing the darkest shadow areas.  In this how to oil paint a magnolia demonstration, realize too that it is a white painting.  How to make that blossom glow?  Surround it with darks!  The contrast will fake out the eye.




Now in this next part, we have lots of fun!  We establish the very subtle nuances of white shading within the blossom itself.  All the little folds, and variations of lights to darks in the half shadows. 

We also establish the backgrounds darkest darks and a middle gray for the leaves.

Remember, no fine details or texture is attempted.  Just the main folds, ripples and shadow play.


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Now we get to the color layers, and the finishing layers.  The leaves get all the work!  This photo shows the finished piece on the easel. 

The color layers concentrated on the leaves and center of the blossom.  The petals were mostly done already.



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A few things to point out here.  On the upper arrow, this particular bulge or fold of the petal is accentuated with a bit of cadmium yellow light added to the white to simulate sunlight striking the petal.  It is exaggerated as well as other folds to give the blossom more interest.

The lower arrow point to an exaggeration of a leaf overhanging the petal.  Again, it is a small point of interest that keeps the viewers eye revolving within the blossom.



(Above) In this close up I want to tell you about a technique I tried in order to achieve this effect!  You see, I learn new stuff on how to oil paint as often as I can, sometimes its a re-discovery, sometimes its a completely new idea and technique.

Once the gray layer was dried, during the color layer application, I used this technique.  Applying paint to the highlighted area of the petal, I wanted to simulate the intricate veins that are found throughout the flower.

This is a scratching technique.  Using the back handle of the paint brush, I scratched out the veins on the petal.  The scratching revealed the darker shadow grey layer underneath.  It gave a very distinct line that had paint built up on both sides of the gouge mark. 

When using the mop blending brush in the direction against the sunlight, it pulled the paint in the direction of the light and made a very believable tiny vein. 

Some areas I came back with a highlight, or a shadow to deepen the illusion. 


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The completed work was accepted by the client!  Which means, I gotta go out for another motorbike ride and get a few more reference photo's before these babies dry up to the little hand grenades we used to imagine them for when I was a youngling. 

- See more at: https://www.easy-oil-painting-techniques.org/how-to-oil-paint.html#sthash.XB4eSee6.dpuf