这是完成8“10”色彩的研究。尤其要注意我试着将如何光带在一起制作一个有趣的设计移动从左边画布的右侧。
更大画将24“30”。在这里我已经仔细勾勒出的较大的形状与一些木炭来确保我得到成分的确切方式我想要它。正如你看到的颜色草图,我很少做任何图纸在一个较小的绘画,但在更大的东西,很容易就会陷入一个小区域,让它太大或小,它将抛出了其余的绘画的比例当你得到他们。我可以阻止在较大的形状在开始阻止这一切发生,但是做这样的事情,我不想把漆下来的地区,我不会去好几天自从我最后挣扎的问题在干燥的油漆工作。
The larger painting will be 24" by 30". Here I've carefully sketched in the larger shapes with some charcoal to make certain that I get the composition exactly the way I want it. As you saw with the color sketch, I rarely do any drawing on a smaller painting, but on something larger it can be easy to get caught up in a small area and make it too large or small, which will throw off the rest of the painting's proportions when you get to them. I could block in the larger shapes at the beginning to keep this from happening, but on something like this I don't want to put paint down in areas that I won't get to for a couple of days since I'd end up struggling with the problem of working over dry paint.
