斯科特.布尔迪克――油画示范“信” 1

    斯科特•布尔迪克-(ScottBurdick.com)——油画示范–“信”——好吧,这是我最初的铅笔绘图。在这幅画我尤其关心捆绑一些灯及深色使一个很好的模式因为照片太破碎。我不能强调足够重要的规划是如何开始前一幅画。有无数的方法你可以解释任何问题,所以有想法在你的头脑中预先设置显然是至关重要的。即使做一个简单的横向或纵向户外,我将花几分钟想想我想要的主题。是什么吸引我的话题吗?它是颜色,戏剧的灯吗?我想把它漆成厚或薄吗?什么样的值范围做我想使用吗?什么将是最轻的光和黑暗的黑暗?如何组成?如果你不能回答这些基本问题,那么你肯定会遇到麻烦。那几个颜色和值的地方将设置方向整个绘画会话,所以确保他们是你想要的!一个好的画作完成后在你的脑海里,实际行动把刷帆布仅仅是这些想法的渠道。如果没有想要传递,然后画变得漫无目的的和随机的(这一点我很清楚,从第一手经验!)。

    Scott Burdick - (ScottBurdick.com)- Oil Painting Demonstration  "The Letter" - Ok, here's my initial pencil drawing. On this painting I was especially concerned with tying together some of the lights and darks to make a nice pattern since the photo was way too broken up. I can't emphasize enough how important planning is before starting a painting. There are an infinite number of ways you can interpret any subject, so having an idea set clearly in your mind beforehand is crucial. Even when doing a simple portrait or landscape outdoors, I'll take a few minutes and think about what I want to go for in the subject. What is it about the subject that attracts me? Is it the color, the drama of the light? Do I want to paint it thickly, or thin? What sort of value range do I want to use? What's going to be the lightest light and darkest dark? How about the composition? If you can't answer basic questions like these then you are sure to run into trouble. Those first few colors and values you place will set the direction of the entire painting session, so make sure they're the ones you want! A good painting is done in your mind -- the actual act of putting brush to canvas is merely the conduit for those thoughts. If there is no thought to be conveyed, then painting becomes aimless and random (I know this for a fact, from first-hand experience!).


    我也 决定做一个小8“10”颜色草图进一步找出我的设计和配色方案。当工作这么小,很容易让自己专注于更大的形状和模式。你也会发现自己更愿意尝试不同的东西因为没有太多的时或油漆投资在这么小的素描,而在较大的画你可能会很不情愿的实验。
    I also decided to do a small 8" by 10" color sketch to further work out my design and color scheme. When working so small it's easy to keep yourself focused on the larger shapes and patterns. You'll also find yourself a lot more willing to try different things since there isn't much time or paint invested in such a small sketch, whereas on the larger painting you might be very reluctant to experiment.


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