水彩画示范
我做了这幅画在芝加哥。我刚刚开始做水彩画作为一个打破从油画和自
我从来没有被正式的课堂在水彩我简单地走近它相同的
我怎么用油画的方式。我仍然普遍开始用我的兴趣中心
和工作我从那里向外。正如在油中,您可以看到我从大
第一,然后转向形状越来越小的细节上的第一,大胆的中风。
我只是让背景演变作为补充图。
而不是让整个背景黑暗在这种情况下,我要去
让它形成一个抽象的设计到口音表单。
一旦我有图完成了,我把最后一个洗的背景
所以它不是如此鲜明的白色。尽管这是一个非常古老的绘画和不是所有
挑战从技术的角度来看,我一直喜欢它,因为
情绪和情感在女孩的姿势。有时简单的画就像这个
可以有更多的权力比你花几周的东西。
原文如下：
Scott Burdick
Watercolor Painting Demonstration
I did this painting around 1990 for a show at the Palette and Chisel in Chicago.
I'd just started doing watercolors as a break from oil painting and since
I'd never taken a formal class in watercolor I simply approached it the same
way I did with oil painting. I still generally start with my center of interest
and work my outward from there. Just as in oils, you can see I start with the large
shapes first and then move to smaller and smaller details on top of those first, bold strokes.
I'm just letting the background evolve as a complement to the figure.
Rather than making the whole background dark in this case, I'm going to
let it form an abstract design to accent the form.
Once I have the figure finished, I put a final wash over the background
so it isn't so starkly white. Though this is a very old painting and not all that
challenging from a technical standpoint, I've always liked it because of the
mood and emotion in the girl's pose. Sometimes simple paintings like this
can have more power than something you spend weeks on.
