1。在拉伸一张拱门冷压在船上,我轻轻勾勒出在我的设计用4 h铅笔。我故意离开线光所以他们将被我的水彩洗我的工作。
像往常一样我开始跟天空洗。在这种情况下我湿的部分和其他部分的天空留下完全干燥。然后我刷颜色到洗让颜料混合随机。软硬结合边缘在天空创建戏剧我寻找。我用黄色赭石、cad红灯,Indanthrone蓝这天空。
2。虽然天空是干燥一拂的清水清洗整个前景区域和大胆的混合物了暖色和冷色,大致指示形状的灌木和地区的红砂。因为它开始干我使用一个刷装满清水丢在洗创建小斑点的纹理。
3。而地面干燥我搬到山上在中台躺在松洗暖色的顶部的悬崖,让洗把冷却器,更多的红色,最后更蓝向阴影沿着悬崖的底部。
4。让你看到一个特写的光度,来自允许颜料混合而纸是湿的。当这些干燥完全,我减少了蓝色投射阴影的右边画。为了得到一个脆边纸必须是干燥的。
5。的基本underglazes到位我现在开始收紧的边缘添加细节,前景灌木和悬崖。在这一点上我们真的感受一下现场是合在一起。
6。我完成了通过添加感光前景和扔在触动的细节在沙地,灌木。
“红色沙漠奇迹”
14 x 20透明水彩
由罗兰·李
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原文如下 ：
Watercolor Painting of "Red Desert Wonder"
Step by step watercolor painting demonstration by Roland Lee
This scene is typical of the southern Utah area with its striking red cliffs and sand. In the evening just before the sun goes down, the long shadows crawl across the desert and up the walls of the mesas creating a dramatic contrast of intense yellows, reds, and purples.
1. After stretching a sheet of Arches cold press on board, I lightly sketched in my design with a 4H pencil. I deliberately left the lines light so they will be obliterated by my watercolor washes as I work.
As usual I began with the sky wash. In this case I wet portions of the sky and left other parts completely dry. Then I brushed the color into the washes letting the pigment mingle randomly. The combination of hard and soft edges in the sky creates the drama I'm looking for. I used yellow ochre, cad red light, and Indanthrone blue for this sky.
2. While the sky was drying a brushed a wash of clear water across the foreground area and boldly dropped in mixtures of warm and cool colors, roughly indicating shapes of shrubs and areas of red sand. As it began to dry I used a brush loaded with clear water and flicked it across the wash creating the little spots of texture.
3. While the ground was drying I move to the mountains in the middleground laying in loose washes of warm color at the top of the cliffs and letting the wash turn cooler, more red, and finally bluer toward the shadows along the bottom of the cliffs.
4. A close-up allows you to see the luminosity that comes from allowing the pigments to mingle while the paper is wet. When those dried completely, I cut in the blue cast shadow on the right side of the painting. In order to get a crisp edge the paper had to be dry.
5. With the basic underglazes in place I now began to tighten up the edges of the foreground shrubs and add detail to the cliffs. At this point we really get a feel for how the scene is coming together.
6. I finished up by adding darks in the foreground and throwing in touches of detail in the sand area and shrubs.
"Red Desert Wonder"
14 x 20 Transparent Watercolor
by Roland Lee
