水彩画的“鲍威尔湖的记忆”
一步一步的水彩画示范了罗兰•李
我做了这幅画是一款专为特殊利益的艺术展览的“小英雄基金会”在2009年12月举行。这位模特展示的是一些我画的鲍威尔湖。
1。鲍威尔湖是我最喜欢的绘画题材。我爱画石头,我喜欢漆水。我可以放纵一下自己在这两个在鲍威尔湖在犹他州南部。
2。我使用拱门140磅冷压水彩画纸给这幅画。我第一次lighlty勾勒出的悬崖的形状使用4 h铅笔,然后开始绘画通过使用湿到湿技术来绘制天空面积。我是一个很好的鳕鱼刷工具申请大洗很快。
3。天空是做湿在湿使用深蓝色、镉红的光,黄色赭石。我允许自由交往的颜料在纸上得到灰色的云层。这个过程用时不到5分钟,和我别管它。虽然天空是干燥我开始基本洗在砂岩悬崖。我允许刷薄薄纸来创建一个整个纹理感。我的目标在这一点上是给一个衬底介质的价值观。在他们干我将添加额外的釉料建立价值和颜色。
4。你可以看到形状开始形成为我添加深色阴影区域中的值。注意我是如何减少值在远处的悬崖,给他们在遥远的外观。
5。与悬崖到位我可以开始工作在水。我小心地离开水面的地方坏了,涟漪和海浪和蓝色的天空是反映。越黑暗的倒影在干燥的岩石画湿纸,所以边缘将会很难。
6。我使用一个较小的圆形笔刷来绘制详细的倒影。是由Eldajon pallettes的。
7。用小刷我填写一些白色区域,我离开使用消极的绘画技术。我主要是利用深蓝色欢乐一点黄色天空倒影。
“鲍威尔湖的记忆”
14“×21“透明水彩
由罗兰·李
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8。旁边的是我的缩略图价值水彩画研究和参考照片,我拍在鲍威尔湖。我通常带他们去我的董事会任职期间快速参考。很明显,我使用了大量的艺术授权创建戏剧和情感。这就是一个艺术家应该做的。艺术家是大自然的译员不是copiest。
“鲍威尔湖的记忆”
14“×21“透明水彩
由罗兰·李
“鲍威尔湖的记忆”
14“×21“透明水彩
由罗兰·李
原文如下：
Watercolor Painting of "Lake Powell Memories"
Step by step watercolor painting demonstration by Roland Lee
I did this painting specifically for a special benefit art show for the "Little Heroes Foundation" held in December 2009. The show featured a number of my paintings of Lake Powell.
1. Lake Powell is one of my favorite painting subjects. I love to paint rocks, and I love to paint water. I can indulge myself in both at Lake Powell in southern Utah.
2. I am using Arches 140 lb. cold press watercolor paper for this painting. I first lighlty sketched in the shapes of the cliffs using a 4h pencil, then started the painting by using a wet into wet technique to paint the sky area. My Hake brush serves as a good tool for applying large washes quickly.
3. The sky is done wet-in-wet using Ultramarine blue, Cadmium red light, and Yellow Ochre. I allow the pigments to mingle freely on the paper to get the grays of the clouds. This process takes less than five minutes, and I leave it alone. While the sky is drying I begin the basic washes on the sandstone cliffs. I allow the brush to scumble across the paper to create a sense of texture. My goal at this point is to give an underlay of the medium values. After they dry I will add additional glazes to build up the value and color.
4. You can see the shapes start to form as I add darker values in the shadow areas. Notice how I reduce the values on the distant cliffs to give them the appearance of being far away.
5.With the cliffs in place I can begin working on the water. I am careful to leave places where the water surface is broken by ripples and waves and the blue of the sky is reflected. The darker reflections of the rocks are painted wet on dry paper, so the edges will be hard.
6. I am using a smaller round brush to paint detail in the reflections. The pallettes are made by Eldajon.
7. With the small brush I fill in some of the white areas that I left using the negative painting technique. I am using mostly Ultramarine blue wih a touch of yellow for the sky reflections.
"Lake Powell Memories"
14" x 21" Transparent Watercolor
by Roland Lee
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8. Next to the watercolor painting is my thumbnail value study and a reference photograph that I shot at Lake Powell. I usually tape them to my board while working for quick reference. It's evident that I use a lot of artistic license to create drama and emotion. That is what an artist should do. The artist is an interpreter of nature not a copiest.
"Lake Powell Memories"
14" x 21" Transparent Watercolor
by Roland Lee
Click for purchase information
"Lake Powell Memories"
14" x 21" Transparent Watercolor
by Roland Lee
