水彩,水粉颜料肖像绘画教程:他们让我公司
我的图纸完成后,我开始申请第一层黄色(达芬奇赭石)。我离开的背景,因为它是现在。因为我只使用几个颜色在我的分层我非常注重边缘质量。黄色通常分层第一,因为他们通常不太透明的比大多数红军和蓝军。
第二层是完成2红酒,紫红(达芬奇),一个浅红色等,和永久的红灯(伦勃朗),一个更橙红色。当分层我使用时间最长的两个颜色相同的颜色,一个在这边,一个在凉爽温暖的一面。
我在这里工作的背景。我用水彩在更流畅、更少的控制方式比我将做在表面上。
这是完成的画,我添加了一些蓝调:温暖的深蓝色(达芬奇)和冷却器普士蓝(达芬奇)。在那个阶段我开始有些颜色校正一些三级色(棕色、桔子和紫色)从我的Yarka锅水彩画。我添加了一些蓝色的背景以及一层水粉画。我离开上一个小边的目的红色概述显示。
原文如下：
Step by Step watercolor and gouache portrait painting tutorial : They keep me company
After my drawing is done, I start to apply a first layer of yellow (Da Vinci Ochre). I leave the background as it is for now. Because I am using only a few colors in my layering I focus a lot on edge quality.Yellows are usually layered first because they are generally less transparent than most of the reds and blues.
The second layer is done with 2 reds, Alizarin Crimson (Da Vinci), a pinkish red, and Permanent Red light(Rembrandt), a more orange red. When layering I use most of the time two shades of the same color, one on the cool side, one on the warm side.
Here I am working on the background. I use the watercolor in a much more fluid and less controled way than I would do on the face.
This is the finished painting, I added some blues: the warm Ultramarine(Da Vinci) and the cooler Prussian blue (Da Vinci). At that stage I start some color correction with some tertiary colors (browns, oranges and purple) from my Yarka pan watercolor set. I added some blue on the background as well as a layer of gouache. I left on purpose a tiny edge with the red outlining showing.
