假想的朋友,
水彩颜料在纸上,
15 x 22英寸,
点击这里购买原始或打印
这是我画的一幅水彩画肖像从一幅我的儿子。有更多的控制,能够专注于边缘和价值观, 我做了单独的每个颜色的原色,黄色、红色和蓝色和画每一层单独的主。
这是我的原图在新闻纸。我曾从一个图片的帮助下,一个网格。我不让我的图直接在水彩画纸所以我可以抹去我想要的一样没风险的破坏性的纸。
我画的水彩画纸转移。下周我将发布一个帖子显示如何使你自己的lightbox,这次我用复写纸。
这是第一层,我只用一个镉黄柠檬。我专注于价值和边缘。
为第二层,又只有一个颜色,暗红。当使用这种技术,重要的是要让纸完全干燥层之间所以颜色不混合湿和变得泥泞。
在第三阶段我用2个不同的蓝色,一个冷蓝色的t - shirt(普鲁士蓝)和一个温暖的蓝色在脸上(深蓝色)。当油漆蓝色和红色层你需要少了很多油漆比当绘画与黄色。
在最后阶段,我调整颜色,我需要去做,我添加一些桔子、棕色和紫色,我擦洗,洗去一些油漆,我需要更多的光在脸上,或软化一些边缘。
原文如下：Imaginary Friend,
watercolor on paper,
15 x 22 inches,
Click here to purchase Original or Print
This is a watercolor portrait I painted from a picture of my son. To have more control and be able to focus on edges and values , I did separate each color in primary colors, yellow, red and blue and painted each layer of primary separately.
This is my original drawing on newsprint paper. I worked from a picture, with the help of a grid.I don’t make my drawing directly on the watercolor paper so I can erase as much as I want whitout risk of damaging the paper.
My drawing transfered to the watercolor paper. Next week I will publish a post showing how to make your own lightbox, this time I used carbon paper.
This is the first layer, I used only a Cadmium yellow lemon. I focus on value and edges.
For the second layer, again only one color, alizarin crimson. When using this technique, it is important to let the paper dry completely between layers so the colors don’t mix wet and become muddy.
In the third stage I use 2 different blues, a cold blue on the Tshirt (Prussian blue) and a warmer blue on the face (Ultramarine blue). When painting the blue and red layers you need a lot less paint than when painting with yellow.
In the last stage, I adjust colors where I need to do it, I add some oranges, browns and purple, I scrub and wash away some paint where I need more light on the face, or to soften some edges.
