这是另一个画水彩画我为展览“精致的景观“组显示2月8日- 2013年3月9日在北温哥华的城市艺术画廊。这幅画已经是一片沼泽,18 x 24英寸和我有几行,被部分的设计。
我开始通过借鉴我的水彩画纸。
我用铅笔在纸上画水彩画。
我的第一个步骤是在纸上水彩颜料画在黑板上。对于这个我用厚的凝胶介质,一个刷子和一个复印滚筒。我让它干燥过夜。然后我必须保留所有的白人和叶和茎与液体frisquet之前我可以开始油漆。
一旦叶子和茎被覆盖上掩蔽流体我可以开始画背景湿在湿混合了黄土。鲜绿色的绿色,烧棕土,深蓝色和普鲁士蓝。绘画让我湿在湿避免硬边水的倒影。
我是混合不同色调的绿色,黄色和棕色画睡莲的叶子和将涂料直接允许颜色混合在纸上。
一旦完成这幅画,我把水彩与水混合,有时一点水粉画,我让颜色也会把它移动和在一个角,所以我得到一些滴。你可以看到这个过程结束的时候下面的视频。
这是一个封闭的纹理我得到滴
一英里湖,水彩画在纸上完成。
原文如下：
This watercolor is another painting I have to make for the exhibition “Exquisite Landscape” Group Show Feb 8 – March 9, 2013 at the Cityscape Art Gallery in North Vancouver. This painting had to be a marsh, 18 x 24 inches and I had a few lines that were to be part of the design.
I started by making a drawing on my watercolor paper.
My drawing with pencil on watercolor paper.
My first step is to mount the watercolor paper with my drawing on the board. For this I am using thick gel medium, a brush and a brayer. I let it dry over night. Then I have to reserve all the whites and leaves and stems with liquid frisquet before I can start to paint.
Once the leaves and stems have been covered in masking fluid I can start painting the background wet in wet with a mix of yellow ocher. Viridian green, burnt umber, Ultramarine and Prussian blue. Painting wet in wet allows me to avoid hard edges on the water reflections.
I am mixing different tones of green, yellow and brown to paint the lily pads leaves and will paint directly allowing the colors to mix on the paper.
Once the painting is done, I sprinkle it with watercolor mixed with water and sometimes a bit of gouache, I let the colors moves and also will put it at an angle so I get some drips. You can see that process at the end of the video below.
Here is a close up of the textures I get with drips
One Mile Lake, watercolor on paper, mounted on board
