这是最新的水彩颜料在纸上安装在板我画,从一幅画我带在一英里湖附近彭伯顿(BC、加拿大),一个宏伟的湖与多彩的睡莲和漂亮的栈道。
我喜欢这幅画,管我使用一个参考图片,它可以被看作是一个抽象的模式。
看到更多关于安装水彩在纸上船上,看到以前的帖子:船上安装水彩画纸
这里有一些照片的绘画过程:
在进行基本图的轮廓与铅笔,我画一抹深蓝色和深褐色的背景。这是我使用的调色板::丹尼尔·史密斯深褐色,里夫斯佩恩 灰色,绿松石,达芬奇幅霍尔拜因钴普鲁士蓝,绿色颜料,红色和镉柠檬,永久梵高茜草湖光。
然后我开始画一个一个的睡莲,开始是在较下区域的绘画。
我是混合颜色湿在湿为有趣的效果,避免太多的硬边在睡莲
我也添加一个深色的轮廓在一些地区的睡莲,帮助与幻想的垫浮在水面。
我画一个黄色或蓝色层要么第一取决于最后的睡莲叶子颜色:黄色,绿色和蓝色的温暖寒冷的绿色。
当所有的睡莲是画,我画一个黄色或红釉的睡莲,使他们更生动的我认为这幅画没有一点对比和需要明亮的色调。我将飞溅的绘画一旦干有很多水和一些红色水彩洗。
溅起的产生有趣的纹理在绘画。
这是一个的侧面视图,画一次浸漆。
原文如下：This is the latest watercolor on paper mounted on board I painted, from a picture I took at One Mile Lake near Pemberton (BC, Canada), a magnificent lake with colorful lily pads and pretty boardwalks.
What I like about this painting is that although I used a reference picture, it could also be seen as an abstract pattern.
To see more about mounting watercolor on paper on board, see that previous post: Mounting watercolor paper on board
Here are some pictures of the painting process:
After making a basic drawing of the outlines with pencil, I paint a wash of ultramarine Blue and burnt sienna in the background. This is the palette I used: : Daniel Smith Burnt Sienna, Reeves Payne’s grey, Holbein Cobalt Turquoise, Da Vinci Prussian blue, sap green,permanent red and cadmium lemon, Van Gogh Madder Lake Light.
I then start painting the lily pads one by one, starting by the lower area of the painting.
I am mixing colors wet in wet for interesting effects and to avoid too many hard edges inside the lily pads
I am also adding a darker outline on some areas of the lily pads to help with the illusion of the pads floating on the water.
I am painting either a yellow or blue layer first depending on the final color of the lily pads: yellow for warmer greens and blue for colder greens.
When all the Lily pads are painted, I am painting a yellow or red glaze on the lily pads to make them more vivid as I thought the painting lacked a bit of contrast and would need brighter hues. I will splash the painting once it has dried with lots of water and some red watercolor wash.
The splashing produces interesting textures on the painting.
Here is a side view of the painting once varnished.
