亚克力的进步――由布莱恩・西蒙斯绘画示范 3

48花边
阴影添加到显示折叠的布和洞画在后面。花边浅灰色,带着些许的绿色使用。哎呦,我只是发现了一个错误。我画了蓝色背景一直到布在桌子前。
49哎呦
很快纠正。我把一个塑料尺子在桌子边缘,应该保护背景洗。然后用湿海绵起漆,还留下了一个轻微的污渍,但将覆盖着绿色。
50擦
双方都白吃白住。
51表
绿色表面画。让深的后部,减轻在前面。
52个洞
洞画着灰色的蕾丝/绿色混合。剩余的石墨线稿删除与腻子橡胶。 53行
行折叠和曲线后的布画上。
60点
点添加超过线编织的效果。强度和模式不同。
61年西鲱
更强的阴影周围放置苹果锚定下来,到现在他们出现
是浮动的。
62折
阴影后折叠加强,淡黄色添加到前面褶皱带出中间的褶皱。 58沙德
有些黑暗的在编织,后方的蓝色阴影触摸补充说,黄色阴影的红苹果和触摸附近添加到前面的影子。只有一点点每个颜色,虽然很难看到的照片。
63年完成
做决定的时间,这是完成了吗?。我通常等待几天,在决定前再看一看。 64马特
放置一段时间的马特在绘画很差。找到一个好地方给你签名。不知道什么颜色我将使用马特或框架,任何建议吗左边的图片显示了我认为是我的“最后的画”。然而,在显示这张数我的艺术家,我发现有几件事我能做些什么来改善这幅画。

想要看到那些变化?好,然后继续阅读!

backgr
添加了一些颜色为背景来将固体蓝色。
leftapp
离开苹果。

红色阴影是黑暗的。

反映颜色从苹果添加到布。

影子下面和后面苹果昏暗

rapple
正确的苹果。反映颜色添加在布。

黑暗的阴影。

影子说右边的苹果。

第一 final1
实现了很有帮助的评论使更好的绘画所示上图之前和之后。

如果你能找到一个朋友,会给你他们的诚实的批评它是一个伟大的帮助,你可能并不总是同意所有的评论,但总是听。

框架
别忘了照片或扫描你的画的框架之前。总是保持一份所有的作品,你可以回顾他们如果出售。左边,我最后的绘画是陷害,双马特,准备走了!

原文如下:
This is Part 3
<< Part 2
Shadows added to show folds in cloth and holes in lace painted at the back. Light grey with a touch of green used.Whoops, I just spotted a mistake. I painted the blue background right down to the cloth over the table top.
Soon corrected. I laid a plastic ruler along edge where table should be to protect the background wash. Then used a wet sponge to lift the paint, still left a slight stain but that will be covered with the green.
Both sides were sponged off.
Green table surface painted. Made darker at the back and lightened at front.
Holes in lace painted with the grey/green mix. Remaining graphite sketch lines erased with the putty rubber.
Lines following the folds and curves of the cloth painted in.
Dots added over lines for weave effect. Strength and pattern varied.
Stronger shadows placed around apples to anchor them down, up to now they appeared
to be floating.
Shadows on rear folds strengthened, pale yellow added to front fold to bring out the middle fold.
Some dots were darkened in the weave, rear shadows touch of blue added, yellow shadow near apple and touch of red added to front shadow. There is only just a hint of each color, although it is difficult to see in the photo.
Decision time, is it finished?. I usually wait a few days and have another look before deciding.
Placing a tempory matt around painting makes a lot of difference. Find a nice spot for you signature.  Don’t know what color matt or frame I will use, any suggestions?  The image to the left shows what I considered to be my “final painting”.  However, after showing this piece to several of my fellow artists, I discovered that there were a few things I could do to improve this painting.
Want to see those changes? Good, then keep reading!
Added some color into the background to break up the solid blue.
Left apple.
Red shading was darkened.
Reflected color from apples added to cloth.
Shadow underneath and behind apple darkened
Right apple.Reflected color added on cloth.
Shadow darkened.
Shadow added on right side of apple.

Helpful comments were implemented which has resulted in a better painting as shown in the before and after images above.
If you can find a friend that will give you their honest criticism it is a great help, you may not always agree with all comments, but always listen.
Don’t forget to photograph or scan your painting before framing. Always keep a copy of all paintings so you can look back on them if sold. To the left, my final painting is framed with a double matt, and ready to go!

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