丙烯画教程一步一步由卡梅隆韦勒
该演示展示了一个非常大的绘画的发展(1.5 m x .75m)使用丙烯画在画布上。该委员会需要一下午小汉普顿海滩的场景,看着西沿海滩向进港。画布的实质是为我Angmering框架和第一个工作是主要与4层的石膏底漆。一般的成分是与客户讨论,幸运的是给了我很大的余地来最后的细节。最初的想法的日落是下降了,因为由此产生的轮廓在前台将缺乏色彩,因为太阳下山好内陆——不是方便过海!
图片1
地平线线,建立了一个大胆的天空画。
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下一个遥远的蓝色/灰色树木等等,都将在随后的沙丘西海滩和大海的初始的绘画。一群光建在大海,它满足了天空。
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海岸警卫队建筑和灯塔是加在一起的防波堤。大海是更有趣的外加一些小波和底层色为沙滩放在。
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现在groynes可以添加和更多的工作进行前景。注意视角——查看点是略高于一个站成人——允许更多的海和海滩是可见的,避免 所有的groynes重叠。
图片5
一些 航行小艇现在补充说,其中一个在海滩上添加一些色彩和兴趣在中间距离。更多的细节和纹理添加到groynes。这幅画是现在准备焦点放置,你会注意到立竿见影的效果增加一个五颜六色的小艇在前台,看到图片
图六
在走船,立即成为焦点,让这幅画活着。这两个数字(我的客户)添加沿着海滩散步,有一点远,以平组成。风筝是上面还遥远的小艇在沙滩上。
完成的图片
丙烯酸在画布上1.5 m x。75米, w·唐纳森先生委托。这是一个非常愉快的绘画工作即使空白画布有点吓人的最初!
原文如下：
Step by Step Acrylic Painting Tutorial by Cameron Weller
This demonstration shows the development of a very large painting (1.5m x .75m) using acrylics on canvas. The commission required an afternoon scene of Littlehampton Beach, looking West along the beach towards the harbour entrance. The substantial canvas was made for me by Angmering Framing and the first job was to prime it with four coats of gesso primer. The general composition was discussed with the client, who fortunately gave me plenty of scope for the final detail. The original idea of a sunset was dropped because the resulting silhouettes in the foreground would lack colour and because the sun sets well inland – not conveniently over the sea!
Picture 1
The horizon line was established and a bold sky painted.
Picture 2
Next the distant blue/grey trees etc., are put in followed by the sand dunes of West Beach and the initial painting of the sea. A band of light is suggested on the sea, where it meets the sky.
Picture 3
The Coastguard building and Lighthouse are added together with the breakwater. The sea is made more interesting with the addition of some small waves and the underpainting for the beach is put in.
Picture 4
Now the groynes can be added and some more work carried out on the foreground. Note the perspective – the viewing point is slightly higher than a standing adult – to allow more of the sea and beach to be visible and to avoid all the groynes overlapping.
Picture 5
Some sailing dinghies are now added, including one on the beach to add some colour and interest in the middle distance. More detail and texture is added to the groynes. The picture is now ready for the focal point to be placed and you will notice the immediate impact of adding a colourful dinghy in the foreground – see pic
Picture 6
In goes the boat, which immediately becomes the focal point and brings the painting alive. The two figures (my clients) are added walking along the beach; a little further away to balance the composition. A kite is also added above the distant dinghy on the beach.
The completed picture
acrylic on canvas 1.5m x .75m, commissioned by Mr W. Donaldson. This was a very enjoyable painting to work on even though the blank canvas was a little intimidating initially!
