这是第2部分
掩蔽流体应用于拯救凸显。
洗的淡黄色和一点点的绿色颜料画苹果。
在清洗干燥后,一些地区解除与组织,给一个比较浅的阴影。
结果在应用洗和起重与组织。
湿所有的苹果用清水。使用混合的暗红光和红色下降一些颜色湿到湿。
可以控制清洗,放置,搬来搬去跟你刷。如果你在错误的地方买漆电梯立即使用组织或吸墨纸。
总是确保纸是彻底干燥表面之前你再保险湿。然后它不会打扰原始洗。
第一次釉料已应用于两个苹果。
颜色太弱,所以我添加了另一个洗黄!
掩蔽液涂在茎保持浅色。阴影添加显示核心形状和阴影的干细胞。
我重新湿苹果用清水。降低你的头,环顾本文,您应该看到只是一个照纸。没有迹象表明表面水。
而纸是湿的,我添加了一个红棕色洗苹果的顶部和周围的核心来得到更多形状。如果纸开始干,停止!让
它完全干了它,并开始重新湿再次。如果你继续添加洗到干燥纸,你会得到一个菜花效应。
可以使用一个水彩铅笔而纸是湿的。细的红色条纹补充说这种方式。或者你可以使用纸干,如果需要软化之后轻轻地刷用软湿刷。
阀杆周围黑暗的阴影。我第一次应用铅笔与纸湿然后添加最后凌厉的线条当干。苹果茎也定义使用铅笔。
被删除的掩蔽流体。较大的突出边缘软化了,用纸巾抹湿润。
现在我有两个苹果无视万有引力定律。花边布将成为下一个任务。这应该一切配合下!
原文如下：
This is Part 2
<< Part 1 | >> Part 3
Masking fluid applied to save highlights.
Wash of light yellow and a touch of sap green painted over apple.
Before the wash dries, some areas are lifted with tissue, giving a lighter shade.
Results after applying wash and lifting with tissue.
Wet all of the apple with clear water. Using a mix of Alizarin Crimson and Light Red drop in some color wet into wet.
Wash can be controlled, placed and moved around with your brush. If you get paint in the wrong place lift immediately using tissue or blotting paper.
Always make sure paper is thoroughly dry before you re-wet the surface. Then it will not disturb the original washes.
First glazes have been applied to both apples.
The color was too weak, so I added another wash of yellow!
Masking fluid painted on stems to preserve lighter shade. Shadows added showing core shape and shadow of stem.
I re-wet the apple with clear water. Lower your head and look across the paper, you should see just a shine on the paper. No sign of surface water.
While the paper was wet, I added a reddish brown wash to top of apple and around the core to get a bit more shape. If the paper starts to dry, stop! Let
it completely dry the re-wet it and start again. If you continue to add wash to drying paper, you will get a cauliflower effect.
A watercolor pencil can be used while the paper is wet. Fine red streaks added this way. Or you can use with paper dry and if necessary softened afterwards by lightly brushing with a soft wet brush.
Shadow around stem darkened. I first applied pencil with paper wet then added final sharp lines when dry. The apple stem is also defined using pencils.
The masking fluid was removed. Larger highlights had edges softened by wetting and dabbing with a tissue.
Now I have two apples defying the laws of gravity. Lace cloth will be the next task. That should tie everything down!
