让我们漆冬草!
蜡笔画演示克里斯汀·凯恩
有一些美妙的冬天的草。它可以明亮温暖的金色光芒?可能是他们的声音在风中弯曲?可能是他们戳出雪吗?是的,有这些上面冬日如此特别。这张照片拍摄于去年冬天徒步旅行在长矛森林。我们走和漆冬草在彩笔用水彩underwash。
步骤1:我使用一个8×10 Pastelbord &。采取炭笔和使一个速写。
步骤2:把板倒。我们打算用水彩画绘制背景,我们希望颜色混合。重力会把画下来,所以用最轻的颜色第一。从地平线,油漆锰蓝色。在中间漆与法国深蓝色和淡紫色的底部油漆颜色。
步骤3:而董事会仍然是湿的,油漆遥远的树木混合烧棕土和法国的深蓝色水彩画。开始在地平线和油漆向下使闪烁斯托克斯最后。不要油漆穿过,使一个扇形的边缘来代表各种树的大小。干董事会用吹风机。
步骤4:董事会是干燥后把它正确的一面。现在漆底部。我喜欢我的雪下添加颜色,所以我用一些蓝色在我的调色板和暗红。在补丁的草会,把你的背景树颜色和油漆斑点在雪中。我们是用水彩画。继续彩笔…。
步骤5:战俘战俘砰!看淡颜色的页面几乎跳了下来!太棒了!我使用伦勃朗彩笔,把黑暗的天空蓝,开始在顶部。不要覆盖每一个小寸,让一些紫色水彩洗显示通过。天空中央的使用介质的天空蓝色的蜡笔和接近地平线,用很轻的天空蓝。那里的天空中触动顶部的遥远的树木,来来去去,暗示一些分支。
步骤6:现在,我可以停止在一个蓝色的天空(容易的方法),但我的照片有很棒的高积云和那些云通常意味着改变天气一天内,我想捕获!高积云不是世界上最容易做的油漆,但很容易将会搬到你到下一个水平?很容易去挑战你吗?它会使你成为一个更强的艺术家?
没有办法,它不会。
我们将永远向前无论我们面对什么样的挑战。我们不会向后滑动。如果我们失败了,我们将学习什么不可以做,因为我们下次学到了一些东西,我们不能失败。你看! ? !你不能失败。
因为云,我使用一个中等紫色/灰色淡(见图)。让小圆云在天空。空间出来一段时间,湛蓝的天空,通过展示。接着浅紫色/灰色蜡笔和油漆顶部和中部的每个云。最后,把淡蓝色柔和的天空和油漆顶层的每个云。
以下是天空了。只是一群圆形云,远处,水平线条。不错的。
步骤7:带一个深蓝色的彩色铅笔,画一些树。左边的是进一步回来,将后面的草。右边的一个是接近前台。
第八步:油漆一些橡树叶子。我使用一个深蓝色的蜡笔的底色,然后一个黑暗的勃艮第柔和的顶部。如果我不油漆这些黑暗的颜色首先,明亮的叶子将不会显示。我们需要对比。
步骤9:漆光勃艮第蜡笔在树上。不要覆盖整个事情,让一些黑点显示通过。
第十步:现在对于那些神奇的草!就像橡树,我需要对比。如果我开始画有黄色的草色,草不流行了。我需要一些黑暗的背后。我把同样的黑暗勃艮第,我使用的蜡笔画上一片树和草。然后我把光线柔和的和做了一些薄勃艮第扫线。用最轻的蓝色天空,我会画一些雪在底部。
步骤11:把一个金褐色蜡笔和做一些更全面生产线勃艮第草。现在不,脱颖而出?看起来不错。
“燃烧的冬草”10×8蜡笔
步骤12决赛:做一些更多的草类使用相同的步骤在右侧的绘画。填写其余的雪与中、轻的蓝色蜡笔。添加一些火花,油漆几橡树叶纯橙色。
原文如下：
Let’s Paint Winter Grasses!
Pastel Painting Demo by Christine Kane
There’s something wonderful about winter grasses. Could it be that bright warm golden glow? Could it be the way they sound bending in the wind? Could it be the way they poke out of the snow? Yes, all of these above make winter grasses so special. This picture was taken on a hike last winter in Spears Woods. Let’s get going and paint winter grasses in pastels with a watercolor underwash.
Step 1: I am using an 8×10 Ampersand Pastelbord. Take a charcoal pencil and make a quick sketch.
Step 2: Turn the board upside-down. We are going to paint the background with watercolors and we want the colors to blend. Gravity is going to pull the paint down, so use the lightest color first. Starting with the horizon line, paint manganese blue. In the middle paint with french ultramarine and at the bottom paint a mauve color.
Step 3: While the board is still wet, paint the distant trees by mixing burnt umber and french ultramarine blue watercolor paints. Start at the horizon line and paint downward making flicking stokes at the end. Don’t paint straight across, make a scalloped edge to represent various tree sizes. Dry the board with a hair dryer.
Step 4: After the board is dry turn it right side up. Now paint the bottom. I like to add color under my snow, so I used some blue on my palette and also alizarin crimson. Where the patches of grass will be, take your background tree color and paint spots in the snow. We are done with watercolors. Moving on to pastels….
Step 5: POW POW POW! Look how the pastel color almost jumps off the page! Awesome! I am using Rembrandt pastels; take a dark sky blue and start at the top. Don’t cover every little inch, let some of the purple watercolor wash show through. In the middle of the sky use a medium sky blue pastel and closer to the horizon, use a very light sky blue. Where the sky touches the top of the distant trees, go in and out, suggesting some branches.
Step 6: Now, I could have stopped at just a blue sky (the easy way out), but my picture has terrific altocumulus clouds and those clouds typically mean changing weather within a day and I want to capture that! Altocumulus clouds are not the easiest thing in the world to paint, but is easy going to move you up to the next level? Is easy going to challenge you? Will it make you a stronger artist?
No way, it will not.
We will always move forward no matter what challenges we face. We will not slide backwards. If we fail, we will learn what not to do next time and because we learned something, we can not fail. Do you see!?! You can not fail.
For the clouds, I am using a medium-light purple/gray pastel (see picture). Make small circular clouds in the sky. Space them out a bit so the blue of the sky shows through. Next take a light purple/gray pastel and paint the top and middle of each cloud. Finally, take the light blue pastel for the sky and paint the top of each cloud.
Here is how the sky turned out. Just a bunch of circular clouds and in the distance, horizontal lines. Nice.
Step 7: Take a dark blue pastel pencil and draw in some trees. The ones to the left are further back and will be behind the grasses. The one to the right is closer to the foreground.
Step 8: Paint some oak leaves. I used a dark blue pastel for the base color and then a dark burgundy pastel on top. If I don’t paint these dark colors first, the bright leaves will not show up. We need contrast.
Step 9: Paint a light burgundy pastel on the tree. Don’t cover the whole thing, let some dark spots show through.
Step 10: Now for those fantastic grasses! Just like the oak tree, I need contrast. If I started painting with a yellow grass color, the grasses would not pop out. I need something dark behind it. I took the same dark burgundy pastel that I used for the tree and painted in a patch of grass. Then I took the light burgundy pastel and made some thin sweeping lines. Using the lightest blue for the sky, I paint some snow on the bottom.
Step 11: Take a golden tan pastel and make some more sweeping lines over the burgundy grass. Now doesn’t that stand out? Looks great.
“Blazing Winter Grasses” 10×8 pastel
Step 12 Final: Make some more grasses using the same steps as before on the right side of the painting. Fill in the rest of the snow with medium and lightest blue pastel. To add some sparkle, paint a few oak leaves pure orange.
