在这个演示,我们将致力于创造一个宁静的画,是强调简单平静的水面倒影。画船将是相当容易的如果你记得保持平坦和视角与较低的地平线。这里会有一个美好的时间与这个它应该空气出你所有的绘画练习。
15 x 22水彩画纸冷压图4 b铅笔
湿纸完全,让水设置几分钟,试图角本文更高的顶部比底部水就会跑向底部。这将防止池中间的纸。运行一个夫妇通过生黄土涂料水平在天空然后有两个水平传递的钴和钴蓝。把某些蓝色到下面的水船。
使用圆形笔刷大小12对我有用拉一些钴蓝色的地平线指示一个松散的感觉,遥远的土地然后下降一些生黄土。不要碰触这些颜色或者他们会把你想要的灰色颜色保持独立。拉一点生黄土为前景的水。
住在12号的圆形笔刷和绘画与一边的刷不是点开始在树上混合暗绿色,生黄土,深褐色和深蓝色开始得到一个不错的粗糙结构通过树木确保你在树上留下空缺。这包括树木和天空,使树木看起来真实。我需要做一个点是,当使用颜色我不刷牙在一起在一个大池塘的糊状的颜色我添加颜色的混合物,让添加颜色有声音或出现在纸上。使用侧刷得到洗生黄土带着一丝绿色颜料到岩石上。开着灯在了岩石上,记得要削减在顶边的船。
仍然使用圆刷我添加一个混合的Alizirin深红色和深褐色的岩石创建表单和我留下一些阴影显示灯黄赭。我真的清理船的边缘不切割出来的背景。
详细的岩石和插穗周围的船只,注意结构的底部的岩石看起来像水动,深色的岩石碎片,深褐色的Alizirin混合着一些深蓝色添加到得到一个丰富的黑暗。我滴,虽然一切都仍然潮湿所以边缘将保持活泼。
我重复所有的颜色从上面一系列非常流体刷标记创建的感觉,温和的运动在水中。注意,我并不是在完全重复的对象反映我刚刚的印象的对象。不要害怕使用大量的色彩和大胆的笔触。把灯和离开天空的颜色。然后我用生黄土混合着一些剩下Alizirin混合漆温暖的双方的船只和放在一个小钴蓝色在横梁的左船。使用一个凉爽的灰色,深蓝色和深褐色,混合物表明影子形式在船,把几个黑暗口音到这些让他们更具活力。
添加一些黑线条和几个暗点和破折号和这幅画完成。我使用一个6号班轮刷的细节是在水中和在树林上面。使用大量的克制,没有一幅画做细节废墟的速度比在做细节。享受绘画这它将测试你的绘画和应用油漆技能。
原文如下：
In this Demonstration we will be working on created a nice peaceful painting that is emphasizing the simplicity of calm water reflections. Drawing the boats will be fairly easy if you remember to keep them flat and in perspective with a low horizon. Here goes have a nice time with this it should air out all of your brushwork practice.
15 x 22 watercolor paper cold pressed drawing with a 4B pencil
wet the paper completely and let the water set up for a few minutes and try to angle the paper higher at the top than the bottom so the water will run down toward the bottom. This will keep it from pooling in the middle of the paper. Run a couple passes of Raw Sienna paint horizontally in the sky followed by a couple horizontal passes of Cobalt and Cerulean Blue. Pull some of the blue into the water under the boats.
Using a round brush a size 12 works for me pull some Cobalt Blue at the horizon line indicating a loose feeling of distant land then drop in some Raw Sienna. Don’t rub these colors or they will turn a nasty grey you want the colors to stay separate. Pull a little Raw Sienna into the foreground water.
Staying with the number 12 round brush and painting with the side of the brush not the point start up in the trees with a mixture of Sap Green, Raw Sienna, Burnt Sienna and Ultramarine Blue begin to get a nice rough textural passage of trees make sure you are leaving openings in the trees. This involves the trees and the sky and makes the trees look real. A point I need to make here is that when I say use the colors I am not brushing them together in a big pool of mushy colors I am adding colors to the mixture and letting the added colors have a voice or show up on the paper. Using the side of the brush get a wash of Raw Sienna with a hint of Sap Green onto the rocks. Leave lights on the rocks and remember to cut around the top edges of the boats.
Still using the round brush I add a mixture of Alizirin Crimson and Burnt Sienna to the rocks creating shadow forms and I leave some Raw Sienna showing for the light. I really clean up the edge of the boats not cutting them out of the background.
detail of the rocks and the cutting around of the boats, notice the texture at the bottom edge of the rocks it looks like water moving, the darker pieces on the rocks is the Alizirin, Burnt Sienna mixture with some Ultramarine Blue added to get a rich dark. I drop that in while everything is still damp so the edges will stay lively.
I repeat all of the colors from above with a series of very fluid brush marks to create the feeling of gentle movement in the water. Notice that I am not trying to exactly repeat the objects that are being reflected I am just getting the impression of the objects. Don’t be afraid to use lots of color and bold brushwork. leave lights and leave the color of the sky. I then used a Raw Sienna mixture with some of the left over Alizirin mixture to paint the warmer sides of the boats and dropped in a little Cobalt Blue on the transom of the left boat. I used a cool grey, Ultramarine Blue and Burnt Sienna, mixture to indicate the shadow forms inside the boats and dropped few dark accents into these to make them more vibrant.
Add in some dark lines and a few dark dots and dashes and the painting is finished. I used a number 6 liner brush to make the fine detail marks in the water and in the trees above. Use a lot of restraint when doing details nothing ruins a painting quicker than over doing the details. Enjoy painting this it will test your brushwork and application of paint skills.
